THEA 142: Development of Dramatic Art I

A discussion of the origins and transformations of primarily Western theatre from its origins to the late 18th century, through texts, artists, and theorists.

Tuesday, May 01, 2007

Katie Marchant -- Meditation #10 -- Life Is A Dream

I really did enjoy reading this play, it is interesting to compare the writing the writing style of Calderon, a Spanish playwright, to the English playwrights we have been focusing on. I like how similar the styles are even though the culture in the two countries is very different. I really liked how Calderon worked in the love and relationships aspect of the story without making them the major plot of the play, like some of the others we have read. It gets kind of boring after a while when the entire context is about who is whose lover and what they have been doing. In Life Is A Dream there is the plot of Segismund seeing Estrella and falling in love with her but the more important plot is how he is convinced that it was all a dream. I did some research on Calderon and learned that he was a priest; I think that is part of his life may have influenced some of the themes or ideas in Life Is A Dream. The idea that a person can make their own future out of their dreams and aspirations and that honor and loyalty are very important virtues to have could stem from his faith.

2 Comments:

At 2:15 PM, Blogger Greg said...

Yes, I agree that Calderon was one of the first playwrights we've read to make romance more of a subplot than an actual plot.

 
At 5:53 AM, Blogger Averie said...

I too enjoyed the minimal romance. I mean he did what was necessary: boy sees girl, boy falls for girl, girl marries boy. It reminded me a lot of The Tempest. The little bits of love at first sight poetry in both these works is so beautiful that adding a bunch of other lines would cheapen it. All we need to see is that first reaction and the rest is set.

 

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