THEA 142: Development of Dramatic Art I

A discussion of the origins and transformations of primarily Western theatre from its origins to the late 18th century, through texts, artists, and theorists.

Wednesday, March 07, 2007

Rising Action or Exploding Action?

The god Dionysis is very interesting. The city that disclaims his divinity and dishonors his name is sentenced (by him) to be in a state of madness and constant worship of him. However, what does this state of madness consist of? Orgies, drinking honey, milk, and possessing a septor that performs miracles and magic and whatnot. This does not sound like a very terrible punishment to me. Granted, then here comes Pentheus with his ideals and untainted views and he screws it all up. He ends up getting killed by his own mother and her sisters. Unfortunate? Yes. But this is not how Dionysis originally planned to punish the city. He was just going to make them go out to the mountains and be a little barbaric for a few days. That hardly seems like punishment. And then Pentheus does nothing different than what the rest of his city has already done: deny Dionysis right to godness. But this time he flips out and makes him dress up as a woman and then he's quartered and killed by his own mother. Was this like the last straw that broke Dionysis back of tolerance for insubordination? It IS a Greek tragedy, so extremes are played as usual, but I feel like there could have been a better rising action to it, then just Dionysis just exploding out of nowhere and taking out all his fury on one dude. Makes the reader really empathetic and sympathetic for Pentheus. I guess all of us have had a friend blow up on us for no reason, just because (s)he was stressed in general and then took it out on us. But I do not remember ever trying to be eaten by my friends or mother.

4 Comments:

At 10:44 AM, Blogger Kyle said...

I agree with you that the rising action could have been better. It seemed like it just happened and then it was over. I guess we are just used to other plays where the rising action is really good and keeps you interested the entire time. This was the first play that i had a harder time paying attention to.

 
At 4:06 PM, Blogger Micaela Hoops said...

Isn't it interesting that Dionysis, instead of being naturally worshipped by this city had to actually force them to worship him? I wonder what kind of worship is that, and if indeed it is fulfilling. I think he needed to invoke fear in the people, and the way to do that was to send Pentheus to a miserable death and his mother to a miserable existence. In this way, the city now revered him, without being under a trance. They revered him because they feared him. And that's what he wanted all along.

 
At 2:34 PM, Blogger Layne said...

I guess I can see both sides of the penny on this one. I agree with you that Dionysus kind of let loose on Pentheus in the play. However, isn't his anger justified? The city (or Pentheus in particular) completely dishonors his name as a god. I think that in this case, Dionysus has a right to be a little pissed! However, I also think that Pentheus was justified in not believing in Dionysus's identity. After all, I don't know how accepting I would be if someone just down-right told me they were a god. All in all, I believe that this was just an unfortunate situation - perhaps that is why this story makes such a great tragedy.

 
At 6:10 PM, Blogger jsturtevant said...

Dionysus seemed a bit lineate on the city after they dishonored his name. Then out of no where he blows up on Pentheus. It seems as if Dionysus is very inconsistent with his “punishments.” Dionysus is like an immature god and the people know it.

 

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